{"id":126783,"date":"2025-06-29T22:37:16","date_gmt":"2025-06-29T20:37:16","guid":{"rendered":"https:\/\/www.onerustyband.com\/?p=126783"},"modified":"2025-11-25T17:00:21","modified_gmt":"2025-11-25T16:00:21","slug":"chronique-rolling-stone-juin-2025-de-line-after-line","status":"publish","type":"post","link":"https:\/\/www.onerustyband.com\/en\/chronique-rolling-stone-juin-2025-de-line-after-line\/","title":{"rendered":"Chronique Rolling Stone juin 2025 de \u00ab\u00a0Line After Line\u00a0\u00bb"},"content":{"rendered":"
<\/p>\n
\n
\n
\n
\n

Gr\u00e9gory Garghentini and L\u00e9a Barbier might be a little annoyed that we\u2019re only paying attention to them now, given that they haven\u2019t shied away from hard work for at least the past ten years. We\u2019ll also let them take full responsibility for making us believe there\u2019s something \u201crusty\u201d about their ensemble, when in fact we challenge anyone to detect the slightest trace of it throughout this third album, which oozes bone-deep, devastatingly effective blues at every turn. Guitar bites at the calves more surely than the gravelly grain or Monsieur\u2019s \u201cfoot drum,\u201d with harmonica on occasion; washboard, floor tom, and vocals (for the first time) from Madame \u2014 the chemistry is complete, and sometimes downright stunning. Not a single dull moment or weak spot, barely even a pause to catch one\u2019s breath before\u2026 moving on to the next line. One hell of a punch!
\nX.B<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\n<\/div>

\"\"<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>